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In the tradition of Monty Python’s Flying Circus and Saturday Night Live, Alfresco brought hilariously inventive comedy to British TV in the 1980s. It also introduced an entire troupe of bright young talents — Emma Thompson, Hugh Laurie, Robbie Coltrane, Ben Elton, Stephen Fry, and others — who went on to stardom. Wild and wacky, Alfresco serves up social satire and delightfully off-the-wall sketches that seem as fresh and funny today as when they originally aired. The laughs fly hard and fast, and no sacred cows escape the skewer when these versatile comic actors lampoon bureaucrats, Jesus freaks, self-righteous counterculturists, and even their own show. Now, for the first time, American audiences can enjoy every episode of this British comedy landmark.

Just 18 months after The Shadow of an Empire, his rollicking adventure in electric folk-pop, Irish singer-songwriter Fionn Regan has shifted shape again. To some extent, 100 Acres of Sycamore takes him back to the acoustic territory of his 2006 debut, The End of History, but the landscape here is much richer, Regan’s guitar a moonlit stream weaving through a forest of glimmering piano and velvety strings. It’s not just the music that reflects the natural world: Regan plucks elegant lyrical metaphors from it, marvelling in Bedroom of Stars at how “your head fell on my shoulder like a willow”, assuring his beloved that “you are the Lake District”, visualising equine dreams in The Horses Are Asleep as a prelude to celebrating the free-spirit joys of alfresco sex. You can still glimpse the influence of Dylan and Drake, but the crashing waves of Vodka Sorrow and gossamer sighs of Golden Light find Regan in an experimental world of his own.