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Camille heads to Kennebunkport, Maine, to settle a score between Allison’s Restaurant and The Clam Shack, over who makes the best lobster roll.

“Save the Clam” Peter, Quagmire and Joe rally to save their favorite bar when it is shut down after the owner is killed, while Meg takes an after-school job at a funeral parlor.

With the late 80s/early 90s shoegazing sound now impossibly de rigueur, this Swansea sextet have recruited Spacemen 3’s Pete Kember to help recreate the influential Rugby’s band’s sound as accurately as a reproduction artist might whack off a moody Mona Lisa. Opener Sunset’s rush of angry chords is eerily similar to Spacemen classic Revolution Where Spacemen 3 were Walkin’ With Jesus, WNS frontman Daniel Henley can’t stop himself dropping in a reference to “me and the Devil, walkin’ side by side”. At times, it all feels so fiendishly counterfeit that you expect a visit from the sonic police, but the drones and psychedelic melodies are impeccably well done, and at times sublime. No Place to Hide conjures up a particularly translucent, opiate clam, while (In Both) Dreams and Ecstasies edges into more glacial Fripp and Eno territory. Actual originality is hard to pin down, though the Krautrocky Fire in the Still Sea introduces the not so psychedelic sound of Swansea’s seagulls.